The New Reds- By Brian Freedman
It’s tempting to think of the wine world as a firmly codified place. No other agricultural industry is as rigidly regulated in terms of geographical boundaries, planting, and processing, as wine. French AOC law (Appellation d’Origine Côntrolée), for example, not only determines which grapes can be grown in specifically demarcated areas, but also how much juice can legally be produced in a vineyard of a certain size and what the minimum alcohol content of a specific type of wine must be.
Italian DOC law (Denominazione di Origine Controllata) takes this a step further, as it regulates the wine-making process itself, specifically setting rules for the aging in barrel or bottle, of specific wines.
But on this side of the pond, for better or worst, there are no such nationwide regulations governing the growth of grapes or the production of wine aside from a few cursory rules. And while this occasionally acts as a detriment to the American wine industry—the term “reserve,” for example, may be used to mean whatever the producer wishes, even for nothing more than demanding a higher price tag—it is also beneficial in terms of discovering new or unexpected areas for the production of certain types of wine.
Nowhere is this ancillary benefit of our dearth of national wine laws more apparent than in California’s Santa Barbara, from which I have recently tasted a number of remarkable, and remarkably unexpected, bottles.
For most California wine lovers, Santa Barbara, Santa Maria, Santa Rita, and Santa Ynez are havens of chardonnay and pinot noir production. Producers like Au Bon Climat and Bonaccorsi have made their mark on the wine world with stunning bottlings that express these Burgundian grape varietals with exuberance. The film “Sideways,” in fact, was essentially a two-hour love letter to Santa Barbara pinot noir—and, I’d argue, justifiably so.
But to only focus on these grapes, or on the Rhone Valley varietals that also do so well in Santa Barbara, would be to miss out on one of the most exciting revolutions underway in the world of American wine. These days, Santa Barbara is finding its inner Bordelais. That’s right: Some of the most exciting cabernet-based wines coming out of California are being produced right here. And while Napa Valley is still the beating heart of American cab production, the quality and relative value of Santa Barbara’s red Bordeaux-varietal wines is nothing short of astounding.
One of the shining stars of this brave new world of Santa Barbara cabernet production is Nick de Luca, winemaker for Star Lane and Dierberg Vineyards. He is the man who’s responsible for one of the most exciting California reds I’ve tasted this past year and the one that opened my eyes to the potential of that part of the state: The Star Lane Vineyard “Astral” Cabernet Sauvignon 2005.
The first vintage of this standout wine, the 2005 was released this past August for $51.89, and embodies what de Luca told me was “almost a religious faith type of thing” in the potential of Santa Ynez cab. A barrel sample I tasted was an ink-colored blockbuster with a rich, perfumed nose of wild flowers, sweet berries, and chocolate. It tasted of superripe red and black berry fruit, coffee, and cocoa. You could certainly enjoy it now—though I'd decant it for an hour or so—but it also has the stuffing to last for years in the cellar. What was most interesting to me, though, was that combination of richness and perfume, which I think will really surprise and charm people who have not had a cabernet-based wine from Santa Ynez before.
Star Lane also crafted a winner with the 2005 Cabernet Sauvignon, another $50 bottle whose deep, dark well of ripe fruit seems to embody everything wine lovers associate with modern California cab.
The other marquis player in Santa Barbara is Screaming Eagle, whose Santa Ynez project, called Jonata, is making waves across the world of wine. There are nine different wines being produced, and they include grape varietals as varied as sangiovese, pinot noir, sauvignon blanc, syrah, and cabernet sauvignon, among others.
According to critic Robert Parker, one of the standouts in this first vintage to be released is the “Alma de Jonata,” a Cabernet Franc-based wine that, though certainly not inexpensive at $125, is still significantly less than Screaming Eagle’s flagship Napa bottling. (The most recent vintage of Screamer, as its fans refer to it, the 2004, cost $500 on release and is already commanding nearly $1500 at auction.)
The point is this: As the wine world expands and shifts to unexpected or unfamiliar places, smart collectors will remain open-minded when it comes to deciding where their wines come from. These days, the old assumptions—for example, that Napa is cab country and Santa Barbara is better suited to Burgundy varietals—are not only being challenged, but turned on their heads in deliciously unexpected ways.